y, whose seven YouTube channels include EYstreem, Chip and Milo, and Firelight. “We can’t afford to keep doing business if advertisers leave Australia.” Nine participants interviewed by Reuters in Australia’s social media industry, estimated to generate annual revenue of $9 billion (US$5.82 billion), did not put a dollar figure on the ban’s impact but agreed it could lead to a drop in advertisers and views. YouTubers, who get paid 55 per cent of ad revenue and up to 18 Australian cents per 1,000 views, could be hit hardest, said social media researcher Susan Grantham at Griffith University. “If it is one clean sweep and all these accounts disappear, then instantaneously, it’s going to be detrimental to the influencer economy.” The law requires companies to block the accounts of more than a million people under the cut-off age, punishing “systemic breaches” with penalties of up to $49.5 million. While teenagers can still watch YouTube without an account, the site’s algorithm will fail to drive traffic to popular posts, reducing views. Equally, creators on YouTube, TikTok and Meta’s Instagram stand to lose earnings through promotions if the number of their followers fall, Grantham said. Advertisers are also on edge about campaigns targeting younger audiences, said Stephanie Scicchitano, general manager at Sydney-based talent agency Born Bred Talent. Fewer sponsorships as ban deadline nears Barclay’s company, Spawnpoint Media, sells advertising to companies such as Lego and Microsoft, but clients’ interest in sponsorship deals has declined as the ban approaches, he said. “They’re worried about what the ban could mean later,” he said. “If it expands, if it grows … it makes sense for us to invest overseas and not here.” The United States could be among his options, he said, pointing to more favourable laws and government support in such markets. Some creators are already leaving to avoid the curbs, such as influencers the Empire Family, who told followers in October they were relocating to Britain. The careers of those creating content featuring children younger than 16, such as family vloggers and child influencers, were particularly at risk, said Crystal Abidin, the director of the Influencer Ethnography Research Lab. “They agree that in order to continue, it’s an easy decision to immigrate,” she said. Children’s musicians Tina and Mark Harris, whose Lah-Lah YouTube channel has 1.4 million subscribers, said, “Any negative impact on income is going to hurt.” Concern about lasting reputational harm But their main concern was lasting reputational damage from the government’s description of YouTube’s harm to children. “Parents will get the jitters and stay away from YouTube in droves,” Mark Harris said. “Maybe that’s hyperbole, we just don’t know.” Initially exempted from the ban, Alphabet-owned YouTube was added later at the urging of Australia’s internet regulator, which said 37 per cent of minors reported seeing harmful content on YouTube, the worst showing for a platform. The ban “does a disservice” to creators of high-quality content for children, said Shannon Jones, who runs Australia’s largest YouTube channel, Bounce Patrol, with more than 33 million subscribers. Byron Bay creator Junpei Zaki, 28, whose output is mostly drawn from interactions with 22 million followers across TikTok and YouTube, expects the ban to cause a “guaranteed drop” in likes and comments from Australia. “It … does feel like I’m ignoring my Australian audience that helped get me here, because they can’t interact.” Hit magnified for smaller creators Zaki estimates he will lose 100,000 followers to the ban, a blip in his global reach, but warned that smaller creators with domestic audiences would be hit harder. At the House of Lim food stall in Sydney’s west, 15-year-old owner Dimi Heryxlim has built a following by posting vlogs of his routine running the kitchen after school. Losing access to his TikTok and Instagram accounts “will be a bad thing”, he said, as some customers recognise him from his videos, but he plans to return as soon as he turns 16. “If I can’t get my account back, I’ll just get a new account and start everything from scratch,” said Heryxlim. Reporting by Christine Chen in Sydney. Editing by Byron Kaye and Clarence Fernandez. Courtesy of Reuters. Further reading: Why social media and the digital experience remain critical for in-store retail